There are many many places to host photos online
but not all suit the needs of a photobooth operator equally.
Many photobooth companies have chosen www.smugmug.com to host their photos, probably because once you pay their subscription
fee, you can upload an unlimited number of photos, it is relatively easy to
upload the photos, you can have it seemlessly connect to your website with your
own branding, and as well you can load up to 10 minute videos. Though their
pricing is in the middle of the pack it is certainly affordable. If you are
just hosting and not selling the photos the cost (as of 2014) is $150 per year,
and if you want the ability to sell them then it is $300. I would probably take
the $150 package for the free photos,
which most of your photos will be as it is included in the package, and then
perhaps find somewhere else to “sell” photos you may want to sell. If you are
selling a lot of photos then by all means go for the higher package, but I am
pretty sure that in addition to the $150 they charge you a 15% commission (I
could be wrong about that as I just read it somewhere), so you may want to do
some window shopping.
I know smugmug does the job but here are a few of
their competitors. The best thing to do is to ask around and see what other
companies are using. Some of the websites below are more consumer oriented and
may not have all the features you need. The one thing for me that would be a
deal-breaker would be a limit on uploads, which some of the websites I am
listing below have. The other deal-breaker would be not being able to
seamlessly connect to the photo sharing page from your own webpage with your own
branding. Also you must be able to assign an individual password to every
event. Beyond that see if the hosting site meets the needs of your individual
business.
www.phanfare.com www.stickyalbums.com www.photobucket.com www.flickr.com www.picasagoogle.com www.shutterfly.com www.snapfish.com www.photobox.com www.kodakgallery.com www.webshots.com www.photoshelter.com www.shootproof.com www.instagram.com www.imgur.com www.deviantart.com www.twitpic.com www.imageshack.com www.tinypic.com www.4chan.com www.fotolog.com www.photo.net www.slide.com
Anyway, you get the idea. There are a lot more I
have not even listed.
Advertise with Photo Hosting
Give a card to everyone at the event that looks
suspiciously like your business card. However on the back of the card is a
sticker that gives them the information they need to retrieve their photos.
The beautiful thing here is that they have to go
to your website to get access to the site that hosts your photos. Or at least I
certainly hope you make them go to your site first. Think about it. If there
are 500 people at your event, here are 500 new prospects. You will be amazed at
the number of people that will be visiting your website.
Always hand out access cards. Referral business is
the best business, and the least price concious business. You pay hundreds, if
not thousands of dollars to participate in a bridal show, so you can hand out
your business cards and information at a show in which you are competing with
any number of other photobooths. At a function, you have a captive audience of
sometimes as many people as attend a trade show. What better way is there to
promote yourself? Remember, to access
their pictures, make sure they have to go to your web site.
I recently had someone tell me that rather than
giving out cards they post this information on a sticker that they put on the
back of each and every photo strip they hand out. They believe that the sticker
will be remembered longer on the strip than a card will. This is a possibility
and I may test this out to see if they are in fact right. Along the same lines,
if someone has any input regarding this or any other issue I would really like
to hear from you.
GREEN SCREEN
Personally I love green screen. To me it adds
immensely to the value of the booth. Maybe it is because of my own creative
nature but although it is an addon/upsell I actually prefer to do a green
screen photobooth as compared to one without. On a few rare occasions I even
offered to do the green screen free at no extra charge after the client had
booked the photobooth without green sceen, just because I happened to like that
particular customer, and of course they graciously accepted.
What Is Green Screen
In the broadcast industry, green screen is
technically known as Chroma Key or Chroma Keying, and its history dates back to
the 1930's. Feature film producers make regular use of it, but the most
recognized use of it is in the nightly news shows where it is almost always
used in weather reports.
I understand that green was originally selected
for chroma key because ordinary human skin of all races does not have any green
components in it. While green remains by far the most common background color
for chroma key, in theory any color can be used, and the second most commonly
used color is blue. I actually haven't seen any other color being used but in
theory it is possible.
Green screen is actually pretty simple. Whatever
software you are using simply looks for any use of the selected color which
from this point forward we will consider green, and replaces it with the
supplied background. More technically, the chroma keying program takes a sample
of any green pixel it finds on the photo
and replaces that with the corresponding pixel of whatever color from the
background image. A case where an alternate color such as blue would be used
would be in the case where the subject was wearing the color green.
As you may already know, if for example the
subject was wearing a green dress, well in the green screen picture it would
look like she didn't have a body. The dress would now become a part of the
green screen background. In testing this out I have worn green t-shirts on
occasion, and basically what happens is that it looks like I just have a head
and arms and the rest of me just disappears.
I have actually never switched the green screen to
blue (though this option is available with the BREEZE software I mostly use) because in my
experience people who are wearing green actually have fun with this reality and
it can create some pretty interesting pictures.
Most photobooth software packages include green
screen. Specifically I know that the current versions of Breeze and Social
Booth (www.photoboothsolutions.com) include Green Screen.
While green screen can be a lot of fun, you do
have to know a bit more about photography, subject placement and lighting.
Lighting And Subject Placement Is The Key To
Making Excellent Green Screen Pictures
In real estate, they say that the three most
important things are location, location and location.
Well, in green screen photography or photoboothing,
the most important thing is location, location and lighting.
How you handle location and lighting will be the
difference between OK and truly great photos.
When I say location, what I mean is the placement
of the subject or subjects relative to the green screen backdrop. To achieve the greatest result, you
want to keep the subject as far away from the backdrop as possible. Five-ten
feet is ideal. Unfortuately this is not always possible on site as the space is
not allotted but try in all cases to keep the subjects at least 2 feet from the
backdrop. Do not place them right up against the backdrop and if that is where
they want to go then tell them to move forward. The main reason for this is to
reduce the shadows that create jagged edges or “jaggies” around the subject.
When it comes to lighting, do everything you can
to make sure that the subjects are better and more lightly lit than the
backdrop. The first step in achieving this is to use a flash. I generally
recommend this with all photobooths in any case as it creates better color
compositon, allows you to use a lower ISO, compensates for different lighting
conditions without having to make major adjustments, and accents the faces of
the subjects, but in green screen photography it is even more important that
the subjects are better lit than the background.
For a more serious photo shoot and where space
allows consider adding professional photographic lighting. For the best green
screen photographs you want to keep the ISO settings as low as possible and
preferably at 100 or even lower if possible. With professional lighting you can
lower the ISO. Since higher ISO settings create pictures with much more noise,
this creates the possibility that the pixels on the green screen will be less
green, or not green at all and may not be replaced in the picture. The picture
below is one I experimented with where not all the green screen was removed.
Occasionally you will be asked to do green screen
outside. While it is possible and during the day there is usually no shortage
of light, try to stay out of the sun as it may create unwanted shadows and
bring along your lighting just as if you were in a dark room. Who knows, the
photobooth could be such a hit that they ask you to stay well into the night.
In any case if you rely on natural light and don't know how to make adjustments
when the natural light changes, which I can guarantee it will as long as the
earth keeps circling the sun, you could get into some jams.
Amazingly professional lighting is much cheaper
than you would think, can make your booth look more professional and these
lights definitely make better pictures. If you don't have the space for such
lighting, work lights from the hardware store will do the job but probably
won't look as professional.
The other thing that professional lighting does is
eliminate shadows that the flash might create when someone holds up a prop, or
for other reasons. Just remember to place the professional lighting in such a
position that it evenly lights up the green backdrop and does not create
hot-spots.
Creative Uses Of Green Screen
I haven't done this myself yet, but I found one of
the most creative uses of green screen in the tourist shops of Niagara Falls.
For years (and I'm going back as far as the 1970s)
, there used to be shops where you would ascend a few stairs behind a barrel
and then your group got their picture taken in a barrel. They tell you to look
scared and then snap the picture. It was a very nice personalized souvenir that
you could purchase at a premium price. The picture looked quite real and
obviously it was very popular as these shops lasted for the better part of 30 –
40 years.
Well, a couple of years ago, passing these very
same shops, I noticed that the physical barrels were gone and instead they had
replaced their backdrops with just a green background. I actually thought that
the physical location was a bit less appealing visually then the former “take
your picture in a barrel” setup, but nonetheless, since they were photographing
everyone ascending in this case the Skylon Tower, I went ahead and got my whole
family photographed.
Of course, after you take the elevator back down
from the tower, you exit into an area where you can digitally see your picture
not just in a barrel, but also in a variety of locations in Niagara Falls. The
quality was quite good so of course I did purchase a couple of these pictures.
Once again, they were not cheap. I think I paid something like 25-30 dollars.
Similarly if you go to Las Vegas and decide to
visit the Stratosphere Tower, they will take your picture in front of a green
background before ascending the elevator, and on your return you will have a
choice of receiving very nice pictures of yourself at various locations
throughout the city, and if I remember right in the desert as well. And yes, I
remember this because I paid the 20 or 30 bucks they charged to get the very
nice pictures.
Photokey 6
Photokey 6 seems to have become the leading green
screen editing program for photographers. I first learned about it during
several photography shows, seminars and courses that I have attended in the
last while.
I am sure I will buy a copy some day soon but as
Breeze has so far met my needs for Green Screen strictly for the photobooth I
haven't been able to cost justify the $299 price tag so far, but I did take
some time to download the demo version and played with it for a while. It is
quite intuitive.
What this program does allow you to do is take any
green screen photo with the green background and blend it with any greenscreen
background you may need to use. In
testing out the demo I did find it to be very intuitive, a feature I like to
see in any software.
If at some time your Green Screen career leads you
to editing photos for your clients, this is definitely a program you will need
to get.
The website for the program is:
If you really want to learn more about this
program Dave Cross at F.J.Westcott is the go-to guy. I have attended a couple
of his seminars and have asked him some questions, and this guy really knows
his stuff. He has a great series of videos on youtube and anyone who is serious
about green screen should watch them. Here is the link to one of them:
Of course the Photokey program does have its
competitors. Some I have come across include:
I downloaded the demo version of this program also
and it seems that it has a relatively easy user interface as well. If you
explore the website they teach a lot about green screen and even sell
backgrounds and magazine templates. When I have a chance to catch my breath I
will definitely be exploring this site further.
One of my businesses specifically targets green
screen and this is how I differentiate myself from some of my competition. I
call my business ``Green Scream Photobooth`` and a couple of my slogans are ``I
Scream You Scream We All Scream For Green Scream`` (I credit my son Derek for
that one) and ``More Fun Than A Roller Coaster``.
FLIP BOOKS
Offering flipbooks as part of your photobooth
experience is something that you can use to differentiate yourself from the
competition as not that many people in the business, including myself, offer
flipbooks at the moment. I plan to soon, but have not done it yet.
Just to give you some background, with a flipbook,
guests record a short animation using video capabilites of photobooth software,
and then can play back the animation by quickly flipping through the pages of a
printed flipbook that you create for them.
As with photobooths, flipbooks are
cross-generational. Very old people may remember kineographs, which eventually
became the inspiration for motion pictures. It was basically a very short movie
in a flipbook.
Flipbooks themselves were first patented in the
United States by Henry Van Hovenbergh in the year 1882. They became very
popular in the early 1900s when the Cracker Jack Company gave them away as
their in-pack prizes. It didn`t take long for other snack food and cereal
companies to jump on board and by the mid 1900`s many other marketers had
follwed suit, including companies such as Disney and McDonald`s.
Many science centers that I remember going to over
the years have displays that show how
movies work using a circular-style flipbook. The faster you turn it, the faster
the motion. They are featuring the work of Herman Casler, who in 1894 invented
the Mutoscope. This is essentially a mechanized form of the flipbook which
mounts the individual slides on a rotating cylinder rather then in a book. Even
after the coming of motion pictures, the mutoscope remained popular through
much of the early and mid 20th century in penny arcades and amusement parks as a
coin-operated machine.
Of course, fast forwarding to today, once DSLR
cameras had video capability, software manufacturers were able to create
flipbook software.
If you are thinking of adding flipbooks to your
repertoire, the good news is that, other than buying the software, if you
already have a photobooth, chances are you have much of what you need to create
flipbooks without investing a whole lot more money.
Your dye sub printer must be one that cuts 4X6
sheets in half into 2X6 segments. Printers currently on the market in 2014 that
allow this include the Mitsubishi CP-D707DW, Mitsubishi CP-D70DW, DNP DS-RX1
and HiTi P510L. In addition to this you will need to buy a Trimfast RE3943 ream
cutter with quick release paper clamp, or its functional equivalent. These
units appear to be selling on the internet in the range of about 600 dollars. I
am not sure if there are ones you can get for less money.
Flipbook software is available at a reasonable
price from Breeze systems and I am sure a number of other places as well. I
have played around with a demo version of the software but as of yet have not
coughed up the money to actually offer it. I may be buying the Breeze flipbook
software soon as I just learned the new version now supports Green Screen which
is something I like doing. It is not on the top of my priority list, but I am
sure you will see me doing it sooner or later.
VIDEO
The good news is that if you are using the latest
version of Breeze software you already have the capability to produce video
segments for clients.
I am not sure if there was a similar show in the
United States but in Canada there was a well know program called “Speakers
Corner” from 1990 to 2008 which was basically a video booth where someone could
say whatever was on their minds. People who watched this show know exactly what
video booths are all about.
Mostly people ranted about various issues and even
announced lost pets but every week the producers would pick the best clips and
show them on TV. Speaker's Corner was also used by up-and-coming musicians to
gain exposure. Barenaked Ladies, perhaps most famous nowadays for writing the
theme song to the TV show “Big Bang Theory” used Speakers Corner early in their
career to sing their future Canadian hit “Be My Yoko Ono” to the Speakers
Corner audience. Although the show is no longer on the air, many people would
request a wedding version of Speakers Corner at their wedding.
I have tested the video component of Breeze
software and it does work. At the moment it is not something I am really
pushing to my prospects and clients because with an open booth I have run into
a number of issues.
The first issue is ambient noise. This is perhaps
the one place where a closed booth is superior to an open booth, as the amount
of ambient noise is reduced and as well, it is easier to capture the voice of
those being recorded.
The other issue is that yes, you can record people
and give the recording to the bride and groom at the end of the night, but
really the big draw of photobooths is being able to give instant satisfaction
to the guests in the form of a photo strip.
At the current time I don`t have a convenient way
of perhaps allowing them to immediately upload to youtube or some wedding site.
For this reason, while I do offer video upon demand, it is not something I am
really pushing. Who knows, however, in the future it may be the next big thing.
Other Variations
In addition to things like Green Screen,
Flipbooks,and Video, photobooth software writers are coming up with all sorts
of wonderful and wacky variations. Digital grafitti, drag-and-drop props and
many other exciting innovations are making their way into photobooth software.
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AND SOME FINAL WORDS OF WISDOM
Do Not Be Late
As an absolute minimum, never ever ever be late to
your gigs. I can not stress this enough.
If you have employees, PAY THEM, yes PAY THEM to
arrive earlier than the contract time. Also pay and instruct them to stay a little
later if necessary.
If the contract says you will arrive an hour and a
half before the function, be there 2 or even 2 and a half hours before.
At a wedding this is the bride's special day. She
wants it to be stress free. You are not going to be in her good books if she is
worried about you arriving.
Other than a total system breakdown, showing up
late is perhaps the worst thing that can happen. Before you even arrive you
have invoked a sense of anxiety and a negative image in the customer's mind. It
would take twice as good a job if not more to reverse that, though I have seen
that happen. If ever there is a time for punctuality (no pun intended) this is
it.
If for some uncontrollable reason you are
unavoidably detained, call ahead both to the client and/or the venue to let
them know you are coming.
Dress To Impress
Take your appearance seriously. I don't think I am
exaggerating when I say that more people care what you look like (or your
employees) than what your photobooth looks like. Or at least, if you don't look
your best they will not even care about the booth.
People
(correctly or incorrectly) make the assumption that what the attendants are
wearing reflects how they will perform in other aspects.
This is
especially important because there are a lot of "horror stories" out
there about a people showing up in T-SHIRT AND JEANS to a wedding.
Always
dress to fit in with the crowd you are playing for and always look confident.
It is fine
to dress casually while setting up and then change (unless the facility itself
has a dress code). However, if you get caught setting up in your set-up
clothes, make it obvious to the party concerned that you will be getting
changed.
Make A Confidence Call
A simple call a few days before the event
reassures the customer that you are coming. It also helps to create a rapport
between you and the customer.
Also check all the important details to make sure
nothing has changed. This didn't happen to me but I remember once during the
confidence call that the bride had kept everything the same other than one
detail – the GROOM. This was important to know beforehand.
Do Not Talk On The Cell Phone
You are on the stage when you are working. Nothing
says I don't give a rats butt about the job then constantly looking at your cell
phone.
Don't Look At The Clock
We all need to look at the click for timing
reasons (and yes sometimes we want to know "how much longer"). But
remember, you are "on stage" and people are looking at you. A good
idea is to take the watch off your hand and put it on the table. That way, when
you look at it is not made obvious to the crowd.
Buy A Power Source Checker
These little units are cheap – usually from $5 to
$20. And it only takes a few seconds to test your power source – but one day
that $20 may save your $5000 photobooth.
Always Back Up Your Cables
The most important thing to have backed up is
cables.
Always make sure you have a backup of the most
critical cables. (which would probably be all of them)
Always
have spare cables available (2 of everything)
More often it will be the connecting cables that
fail rather than the equipment itself.
Do not allow a $5 cable to be the reason for a
thousand dollar refund.
Use A UPS (Uninterrupted Power Supply)
At the very least use a surge-protected power bar
($50 could save you $5000 at some point – plus a refund)
Top
Troubleshooting Tips
Remember
Murphy's Law
Always
carry your backup. Make sure you have tried it out and know how to connect it.
Don't Panic and Don't Advertise the Problem Unless
You Have To
It is
always better to temporarily shut off the system & fix a potential problem
than risk a total system breakdown
Apologize Quickly
If
something goes wrong and you have to resort to backup do it as quickly as
possible. Once you are back up and running, QUICKLY apologize for the delay,
offer a brief explanation and then try to make everyone forget it happened.
FINISH THE NIGHT.
Dealing With Difficult Customers
Drunks
Do NOT
allow a drunk person near your equipment. If they will not leave, stop taking
pictures and ask someone to get rid of them. - Do NOT let someone take control
of you!!!! YOU ARE IN CHARGE. HOWEVER, MAKE SURE YOU REMAIN COLLECTED AND
PROFESSIONAL AT ALL TIMES.
Complaints
ALWAYS
KEEP YOUR COOL - even when the other party doesn't
The first thing
to consider is whether the complaint could be valid. Some of our best ideas
come from customers.
If it is
valid, then implement it, at least to some degree.
If it is
not valid, then consider who is giving you the complaint.
Things to
Protect Yourself Against Liability Lawsuits
I) If you
have a photobooth on a stand, take precautions to make sure that it cannot be
knocked down. You may need to make a very heavy base to hold the booth and
stand, but do not take chances. Test it out beforehand
II) Be careful
with the legs of speakers on stands (not in a high traffic area, or well marked
(maybe put a chair in front).
III) Be
careful with cords on the floor. All cords in high traffic areas MUST BE
SECURELY TAPED DOWN TO THE FLOOR!
IV) Do not
let anyone "leave something" with you for safe keeping. You are not a
coat check person. Kindly let the person know that you are not in the booth at
all times, therefore, you cannot take responsibility for valuable items.
V) Make
sure you have insurance.
APPENDIX 1: PHOTOBOOTH WEBSITES
Hardware Sites
Apple Industries –
faceplacephoto.com
Colorado
Sound and Light – csnl.com
Extreme
Event Design/AtlantaPhoto Booth – extremeeventdesign.com
EZ
Photo Booths – ezphotobooths.com
EZ Photo Booths in Canada – ezphotobooths.ca
Innovative
Photo – innovativephoto.com
Kingdom
Photo Booth – kingdomphotobooth.com
LA
Photo Party/Photo Party Upload – photopartyupload.com
Limelight
Photo Booth – limelightphotobooth.com
Mojo
Photo Booths – mojophotobooths.com
Open
Air Photo Booths – openairphotobooth.com
Photo
Box Interactive – photoboxinteractive.com
Slomo
Booths – slomobooths.com
Vanity
Photo Booths – vanityphotobooths.com
Viral
Booth – viralbooth.com
Software Sites
Free or Shareware Software Sites
Open Office
www.openoffice.org
Paint Programs
www.getpaint.net
Prop Sites
www.etsy.com (search for photobooth props)
www.djcompanionrecords.com
(limbo sticks)
Photobooth Information Sites
Photobooth Company Pages I Like
APPENDIX 2: MOVERS AND SHAKERS IN THE PHOTOBOOTH
BUSINESS
Ryan Burger – Publisher of Mobile Beat Magazine
and industry member for 20+ years. Disc
Jockey Service owner for nearly 30 years.
1. When did your interest in photobooths first begin? – I got my first
photobooth system from Open Air Photo as they were the first exhibitor at the
Mobile Beat Las Vegas DJ Show and I saw immense possibilities in this for my
own company. I have since purchased
several more Open Air units and one from Kingdom Photo Booth that we sell as an
upsell from the standard booth because of it's additional functionality.
2. How did you get your start in the photobooth business? We purchased
two booths and started marketing them along site our DJ service as a nice
upsell.
3. What do you enjoy the most about the photobooth business? – it's a
definite change in pace from being the DJ at the event and I enjoy the shorter
schedule and the high profitability of them.
4. What separates your company from your competition? – This is tough
area to explain because there isn't alot of separation now that Photobooths are
all over our market. We offer two
different booth systems, one more basic and portable and another more detailed.
5. What advice would you give to someone just entering the photobooth business? Without a doubt research the booth types and softwares and consider them a package deal whether they come together from the booth manufacturer or they are sold separately.
6. What significant changes have you seen in the photobooth business recently? Competition no doubt about it but also a wide variety of experiences for the client
7. What is the most challenging aspect of your business? While I'm not involved in that part of the business as much as I used to be I still find it fun. As to a challenge related to the business it's differentiation of our company from all the others, a thing that customers can't know until they have experienced it, and often it's too late if they chose poorly.
8. What do you think the coming trends are in the photobooth business? Extra features like Green screen, video experiences, etc.
9. Tell a story. What is the funniest or most unusual incident you have experienced in your business dealings? Don't do enough of these myself to have such.
10. What strategies and mediums have you found to be most effective in promoting your photobooths? Bridal Fairs and the web.
5. What advice would you give to someone just entering the photobooth business? Without a doubt research the booth types and softwares and consider them a package deal whether they come together from the booth manufacturer or they are sold separately.
6. What significant changes have you seen in the photobooth business recently? Competition no doubt about it but also a wide variety of experiences for the client
7. What is the most challenging aspect of your business? While I'm not involved in that part of the business as much as I used to be I still find it fun. As to a challenge related to the business it's differentiation of our company from all the others, a thing that customers can't know until they have experienced it, and often it's too late if they chose poorly.
8. What do you think the coming trends are in the photobooth business? Extra features like Green screen, video experiences, etc.
9. Tell a story. What is the funniest or most unusual incident you have experienced in your business dealings? Don't do enough of these myself to have such.
10. What strategies and mediums have you found to be most effective in promoting your photobooths? Bridal Fairs and the web.
Brian Henry – QUALITY DJS – Ottawa ON Canada
Voted Ottawa’s Favourite Company for 2013 by the Best Ottawa Business
Awards
1. When did your interest in photobooths first begin? – Last year
2. How did you get your start in the photobooth business? We started by renting booths from other suppliers until we bought our own booth
3. What do you enjoy the most about the photobooth business? – The interaction with the guests
4. What separates your company from your competition? – The quality of the equipment and booth and the overall fun experience our booths offer with our photobooth hostess
5. What advice would you give to someone just entering the photobooth business? Invest in a good quality booth. There are already a lot of cheap booths. Stand out by offering a quality booth
6. What significant changes have you seen in the photobooth business recently? Competition has lowered the price of photobooths that it is more difficult to make money from it unless its delivered and operated by the same person
7. What is the most challenging aspect of your business? Educating clients on the quality of our booth versus others that are available at lower prices and lesser quality. Example: Our photos print in 8 seconds or less while some competitors offer printing on site but it takes 30 seconds and the print is not the same quality
8. What do you think the coming trends are in the photobooth business? Giving more away – longer hours for the same price and more photos
9. Tell a story. What is the funniest or most unusual incident you have experienced in your business dealings? Naked photos when people didn’t think anybody is around – and not realizing all photos are stored on the photobooth hard drive
10. What strategies and mediums have you found to be most effective in promoting your photobooths? Least effective? Word of mouth is always the best and least effective is print advertising
2. How did you get your start in the photobooth business? We started by renting booths from other suppliers until we bought our own booth
3. What do you enjoy the most about the photobooth business? – The interaction with the guests
4. What separates your company from your competition? – The quality of the equipment and booth and the overall fun experience our booths offer with our photobooth hostess
5. What advice would you give to someone just entering the photobooth business? Invest in a good quality booth. There are already a lot of cheap booths. Stand out by offering a quality booth
6. What significant changes have you seen in the photobooth business recently? Competition has lowered the price of photobooths that it is more difficult to make money from it unless its delivered and operated by the same person
7. What is the most challenging aspect of your business? Educating clients on the quality of our booth versus others that are available at lower prices and lesser quality. Example: Our photos print in 8 seconds or less while some competitors offer printing on site but it takes 30 seconds and the print is not the same quality
8. What do you think the coming trends are in the photobooth business? Giving more away – longer hours for the same price and more photos
9. Tell a story. What is the funniest or most unusual incident you have experienced in your business dealings? Naked photos when people didn’t think anybody is around – and not realizing all photos are stored on the photobooth hard drive
10. What strategies and mediums have you found to be most effective in promoting your photobooths? Least effective? Word of mouth is always the best and least effective is print advertising
Rob Savickis
Photobooth Author
My name is Rob Savickis and a rep for EZPhotobooths.
My name is Rob Savickis and a rep for EZPhotobooths.
I started out as a DJ in 1987 and in the
next ten years slowly grew the company into approximately a half million dollar
a year operation.
Since 1997 I have been selling the DJ
Companion Book, collapsible limbo sticks, and a variety of different items at
DJ trade shows throughout the United States and Canada.
Mostly due to conflicts with my ex-wife
with whom I was a partner, I left the company I founded in 2003 to go work in a
casino. She kept the company running for 7 more years but wound it down in
2010.
In 2011 I decided to get back into the DJ
business and after a short stint on my own was offered a full-time position as
Operations Manager of one of Ontario Canada's largest DJ and photobooth operations.
In January 2014 I once again opened a
retail store for DJS in Hamilton Ontario Canada as well as a photobooth and
party planning outlet. I also released a new book START YOUR OWN PHOTOBOOTH
BUSINESS at the 2014 Mobile Beat DJ Show.
In my quest to have a good photobooth
supplier in my store, I spent a lot of time researching the many great
photobooths there are out there to support the growing photobooth market and
found lots of variance in the offerings by the various manufacturers. I suggest you do your research and find out
what works best for you.
APPENDIX 3 : SAMPLE CONTRACT
Rhythm Rob's contract
APPENDIX 4 : HINTS AND TIPS WHEN TRAVELLING
If you do a lot of travelling in the course of
your business activities as many of us do, you can choose to either pay top
dollar for your hotels and motels, or in my case I am always looking for a
bargain.
Online I always look first at www.kayak.com
If travelling in the US I always look for the
coupon books at rest stops and information centers:
APPENDIX 5 : FRANCHISE, NETWORKS OR DO IT YOURSELF
This is a very difficult question to answer. There
is no absolute right or wrong answer and ultimately you must decide what is
right for you based on your own circumstances.
In some businesses such as food and lodging, being
a part of a recognized national chain is a huge huge plus. As a consumer when I
travel to different cities as I do on a regular basis, unless someone has
personally recommended a particular eating establishment I will tend to
frequent McDonalds or my favorite restaurant chain of all time Texas Roadhouse
or 5 Guys hamburgers as opposed to Ma and Pa's Greasy Spoon. Similarly I feel
more comfortable in a Holiday Inn than I do at Ted's Motel.
In all these cases, the national brands have a
certain standard that 99 percent of the time is met. When it comes to service
industries especially in the wedding business it is much more difficult to
maintain a franchise standard because so much of the work is based on
individual talent. Much as DaVinci would find it hard to duplicate himself in
the art world, so too is it hard to establish a consistent standard in either
photobooth or DJ related industries.
Now certainly there have been some franchises that
have been very successful, but they are the exception and not the rule.
There are 2 main things in this industry that you
get if the buy a franchise as opposed to doing it yourself:
1) A DEVELOPED MARKETING PROGRAM – hopefully the
franchise has a logo and materials that are superior to what you could develop.
If not, then you definitely don't want to go with them.
2) AN ESTABLISHED BUSINESS MODEL WITH THE BUGS
WORKED OUT – if you are new to the business it may take you years to work out
all the bugs yourself. If someone can show you a system that is tried and
tested then you can save perhaps years of your own work.
So why would anyone NOT want to be a part of a
franchise system.
Well, in the wedding industry, the main reason
would be price.
All these wonderful marketing materials you
receive, as well as the knowledge you gain in many cases is NOT CHEAP.
I have seen some companies ask upwards of forty
thousand dollars plus a hefty (15 percent I read in one case) royalty on your
sales. OUCH.
This is a competitive business. Yes you can make
money but you must do things efficiently. Either you will have to give up a
substantial portion of your profits to the franchisor or you will have to raise
your prices to account for their cut. I looked at a number of these franchise
opportunities, and well, if I thought it made sense to me I would be right
there.
To me what makes a lot more sense is licensing a
business model. This goes half way between full fledged franchising and doing
it completely on your own. As I have
said to a few people “although you are still in business for yourself, you are
not in business by yourself.”
Though there are standards that must be
maintained, the licensing model is less restrictive than the franchise model.
It is less expensive and you still get the majority of the marketing benefit.
I am currently in the process of working with some
industry experts to develop a licensing program. While there is still much work
to be done, here is an insight into what I have planned so far.
BEST ENTERTAINMENT NETWORK
The Entertainment Exchange
(BEN is to the Entertainment industry what
companies like Hotwire, Expedia or Travelocity are to the Lodging Business)
Why Best Entertainment Network?
BENEFITS FOR THE ENTERTAINER
You are no longer in business by yourself and will have access to new
business you would not otherwise have, but you are still in business for
yourself.
BENEFITS FOR THE CLIENT
You receive the personalized attention of directly working with your
entertainer while receiving the service and support of a much larger company.
Members of the network can include and are not
limited to:
Disc Jockeys
Photobooths
Casino Parties
Live Entertainment / Bands
Photographers
Videographers
AV Contractors
Wedding Planners
Event Planners
Comedians
Magicians
Face Painters
Caricature Artists
Clowns
Jugglers
Hypnotists
Officiants
Participation is by invitation only.
To be a part of the network, a member company must
agree to abide by the rules and regulations outlined on the BEST ENTERTAINMENT
NETWORK website:
ETHICS and PROFESSIONALISM – As a member of the
network you must commit to business excellence and operate your business with
ethically sound standards and maintaining the highest possible standards of
professional conduct.
SAFETY – Members must provide a safe work
environment both for employees as well as clients and their guests.
INSURANCE – Members must maintain appropriate
insurance coverage for their business activities. In many cases insurance is
available through the BEST ENTERTAINMENT NEWTORK and its business partners and
associates.
WRITTEN CONTRACT – Members must use a clear and
concise written contract that states a essential information such as services
provided, charges incurred as well as performance expectations. Sample
contracts are available through the BEST ENTERTAINMENT NETWORK.
ABIDE BY LAWS – Members must use legal forms of
music and other proprietary materials must be legally obtained in the conduct
of providing entertainment services – Members must agree to abide by all laws
and regulations governing their business activities.
HONESTY – Members must provide an honest and
realistic description of their talent, ability and level of service to their
clients and must deliver services and products as promised and to the best of
their abilites.
1)Every entertainer gets a webpage at BEST
ENTERTAINMENT NETWORK.COM
There is no charge in months of no activity from
BEN
$14 charge on first booking
Member companies are eligible for benefits:
Monthly online newsletter
Retailer Discounts
Music Program (from a licensed music supplier)
Discount Credit and Debit card processing
CHARGE FOR DJ AND PHOTOBOOOTH MEMBERS ONLY – all
others free for now.
2) Option 2 - $29 BEN membership – (no charge in
months of no activity)
(if using the BEN name)
a)use of BEN contracts
b)use of BEN office space
c)participation in trade shows
d)use of the BEN booking system and calendar (only available to
exclusive member firms)
e)FREE BEN business cards
EXCLUSIVE BEN MEMBERS GET FIRST PRIORITY ON
BOOKINGS
3) Option 3 - $49 membership if using your own
name (no charge in months of no BEN activity)
BEN has suggested pricing but entertainers are
free to go above or below this pricing. This pricing must be clearly stated on
the entertainers webpage.
Contracts can be booked directly with BEN or
individually with the member firm.
BEN will invoice the member firm where contracts
are booked individually.
32 % fee goes to marketing.
Whoever brings the booking into BEN (paper
contract must be signed) gets 15 %.
Bookings can be brought in by anyone
1) Halls
2) Wedding Consultants
3) ANY BEN MEMBERS
4) BEN MEMBERS IN OTHER TERRITORIES
EZ PHOTOBOOTHS MEMBERSHIP ($39/month)
Discounts on paper (15 %)
Up to one hour free support calls
/month
Additional support at half price ($55
/hour instead of $110)
Training at half price ($55 /hour
instead of $110)
Monthly online newsletter
BRANDING MEMBERSHIP ($89/month per
half million territory approximately – defined upon signing)
Members may do bookings in anothers
territory but may not advertise in that territory (or at least the home member
gets the first right of refusal)
All trade show participation must be
logged with head office.
Use of the brands ($89/brand) –
Exclusive Territory
GREEN SCREAM PHOTOBOOTH
BEST ENTERTAINMENT NETWORK
As part of the branding membership you
get access to:
Marketing materials
Training manuals
Referral bookings